A review of Nicola Rayner’s psychological thriller You and Me, with specific focus on the unintentional unreliable narrator.
You and Me, written by Nicola Rayner is a contemporary psychological thriller. The protagonist, Fran, lives a relatively simple life. She lives alone and works in a bookshop. Her mother is dead, and she misses her sister and niece who both live abroad. This all seems normal; however, Fran has a twenty year long obsession with a former school classmate, Charles.
Some reviewers feel that the story is slow to start; however, I disagree. The prologue is sinister, atmospheric, and like all good prologues, it subtly echoes the end. Chapter one begins in the middle of the action when a tragic accident occurs. I think rather than a slow start, there is a bit of a lull in the narrative drive while the focus is on the protagonist, Fran.
Fran is a first person narrator who is defined by her lack of credibility to the reader. Her version of events is unreliable. While her unreliability is apparent early on, Rayner still takes time to handle Fran delicately by allowing these traits to build and surface gradually. As she narrates the story, Fran begins to contradict herself and it becomes obvious that her obsessive behaviour towards Charles is worsening. She views him through ‘rose tinted glasses,’ so therefore, her fallibility of perception may misdirect the reader. Fran’s unreliability as a narrator is unintentional. She is an outsider and appears to have other issues, which garners the reader’s sympathy or empathy. The reader doesn’t really understand the true version of events—only Fran’s—so their expectations of the narrative may be upended.
The unreliable narrator is not a new phenomenon, but it is current. I enjoy reading psychological thrillers, and I often read so many that they all blur into one. However, I don’t believe this will be the case with ‘You and Me.’ The narration reminds me to think critically about the unintentional, unreliable narrator in order to question events.
I highly recommend reading ‘You and Me.’ If the beginning of the story seems slow, like others have suggested, or you experience a lull, stay with it. Rayner is developing psychological depth in Fran’s character which is essential to the narrative.